Charcoal on Fabriano paper
SIZE: 150cm x 102cm, Framed with black wood & glass
1 in stock
The current body of work draws from the theme ‘Isizwe Esimnyama’ which means the black nation in isiZulu. The work is concerned with the notions of identity, civilization and development understood and judged by black South Africans on self and other black Africans. The work therefore juxtaposes that which is perceived as progressive and modern (beliefs put on a pedestal) with that which is perceived as backward (marginalized and demonized – cultures, objects and beliefs). Examples include the debate on culture and religion, western and African weddings, conflicts in perceptions between African and western medical practices, rural homesteads and rapid urbanization in the context of wealth creation, etc. The work essentially asks whether we are indeed progressive or regressive in our choices as society and whether the principle of Ubuntu and a sense of community is still relevant.
This body of work is heavily influenced by my work as a researcher and facilitator working with both the affluent ad impoverished communities in a society whose government stresses and grapples with the need to eradicate poverty and address inequality. In essence, through my work, I look at acculturation and the extent to which formerly marginalized communities grapple with issues of self-identity, progress and what being civilized means within this community. The work comprises of isiNdebele titles as I am Ndebele by birth and I am exploring what it means to be a Ndebele man having grown up in a township.
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